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Aimée Janaan Hancock
I found my way into the circus 25 years ago, after growing up steeped in long days of gymnastics, dance, music, theater and visual arts. At the ripe age of seventeen, I moved to Paris, France to attend Annie Fratellini's Ecole Nationale du Cirque where I specialized in flying trapeze and tight wire while braving the dark corners of multilingual adventures. After Paris, I moved onward to the lush landscape of the West to continue my training with Master Lu Yi in San Francisco, CA gaining a deeper understanding of acrobatics and its various disciplines, all while continuing to dance and play music.
Since those early years, I have worked with a variety of circuses such as: The New Pickle Family, Cirque Baroque, Les Sept Doigts de la Main, Cirque du Soleil, Philippe Decouflés DCA and I am an original cast member of Cirque Eloizes RAIN, which performed sold-out shows around the globe, including New York, Paris, Moscow and Seoul.
I now instruct, choreograph and direct during the academic year for the professional programs at the New England Center for Circus Arts in Vermont. I also travel frequently to give staff trainings and workshops to schools throughout the continent and beyond while continuing to persue my own endeavors of creations and performances.
In the studio, I work with people from all over the globe looking to gain greater technical skills as well as create artistic and theatrical performances. I have an eye for dynamics and inertia work as well as a hunger for finding new and creative ways to utilize the body's mechanical and expressive potential. I have experience with many healing modalities and therefore work with each person and body from a place of physical analysis combined with a big picture perspective in regards to longevity and physical health.
On stage, I create and perform dynamic and raw creations that never completely separate from the improvisational. I am also drawn to multidisciplinary productions and utilizing musical abilities is a priority for my work. I love, above all, to rediscover the details and experience a moment of lightness, authenticity and compassion with both my audiences and students.